Monday, March 12, 2012

PEUGOT PAPERWORK


Peugot Paper work is the latest creation by the delicate hands of Kyle Bean. The 30 second animation is a perfect example of his ability to craft almost anything with paper and card. Perfectly animated to follow the narrative of the advert, the animation leaves you wanting to watch it again. And its not until you've seen it a few times that you really begin to appreciate the level of effort that it must have taken to make each minature model to create the canvas for this fluid stop-motion animation.

Watch Peugot Paperwork here.

Thursday, February 09, 2012

INTERACTIVE PORTFOLIOS

Creating a digital portfolio has numerous advantages over its traditional counterpart. Not only is it far more portable, it can be lightweight in file size aswel as weight. Displaying work on-screen shows skills such as interface design and user navigation can be in the way the designer intended, not as a printed image. The primary advantage of having a digital portfolio opens your target audience to the internet as a whole, whereas a traditional portfolio limits to your audience to people who are viewing it in interview or exhibition. Interactivity can optimise the viewing of your work and allow the user to enjoy their experience whilst discovering your content. The use of buttons, rollover effects, tweens and fades allow users to almost play with your portfolio while uncovering your work.

Easily kept up-to-date, online content can be quickly changed and manipulated to show your newest piece of work and give your audience something to come back for. Pages such as contact and bio are key features of an online portfolio, this allows potential clients to gain information about who you are and what you do, along with giving them the option to contact you for further questions or possible commission work.
Overall the advantages of having a digital portfolio far surpass the disadvantages (file corruption, copyright issues and hosting fee to name a few) and is by far worth the time and effort it takes to create one.

Friday, January 13, 2012

ILLUSTRATOR: LUKE WHITTAKER

Illustrator, Animator and Game Developer Luke Whittaker's work is something I recently discovered whilst watching his animation Join Hands for Justice, although the animation is displaying a serious issue and covering a controversial subject, the style is very simple, but this does not deter the message that is being conveyed. Whittakers illustration style is alike, often using strong colours and bold outlines, his unique illustrative style covers a range of subjects that seem to mostly focus on culture, environment and music.


Wednesday, November 30, 2011

WOMENS IMPACT ON DESIGN

A new brief at college challenging gender stereotyping made me think about womens impact on the design industry. Although the statistics can't be sure, approximately 15% of web based design is said to be female. Immediately this figure seems much lower than I expected; however this figure is surely rising as the use of technology is advancing.

 

Deborah Sussman: Graphic Design

Art director and environmental graphic designer Deborah Sussman has been creating legendary work for public spaces for decades. Deborah and her firm, Sussman/Prejza, have done interior and exterior wayfinding and signage systems for Apple, Hasbro, the city of Los Angeles, and numerous others. She may be most famous for her comprehensive graphics program for the 1984 Summer Olympics. She has a keen eye for both client and community needs, creating work that is imaginative, spare, and crystal clear.

Saturday, October 22, 2011

ANIMATION: KIRSTEN LEPORE



Bottle is the stopmotion story of two friends who pass messages across the world through the use of a glass bottle. The animation starts with the movement of a mass of sand, scuttling around the beach appearing to look for something; then the bottle itself is discovered. Throughout the animation the two characters trade items using the bottle as the medium; the result of this; two fully personified mounds of sand and snow. The story is deep and much more than meets-the-eye, this 6 minute short is both thought-provoking and inspiring.

Watch Bottle on Youtube or Vimeo

Thursday, October 20, 2011

VISUAL TIMELINE OF ANIMATION

1831 Phenakitoscope
1834 Zoeotrope
1868 Kinetograph; flipbook
1872 Eadward Muybridge begins research into animals in  motion
1889 Kinetoscope
1886 Vitascope
1887 Praxtinoscope, Charles-Émile Reynaud
1892 Reynaud begins showing his animations in his theatre combining his earlier Praxtinoscope and a projector

1906 Humorous Phases of Funny Faces by J. Stuart Blackton
1908 Emile Cohl makes Phantasmagorie, first film depicting white figures on a black background
1910 'En Route' is made, it is the first cut out animation
1914 'Gertie, the Trained Dinosaur'. 10,000 hand-drawn frames
1917 'El Apostol' the first full length animation. 58,000 frames and 70 minutes
 1919 'Felix the Cat' by Pat Sullivan
 1923 Disney is founded by brothers Walt and Roy
 1928 Steamboat Willie, first film using synced sound
1961 John Whitney uses computers to generate graphics for title sequences. He starts to develop his hardware and create algorithms for more complex digital images
1979 'Graphics Group' is created, later renamed Pixar
1982 TRON uses CGI combined with film footage
1983 CGI is used in scenes from Star Wars, the Wrath of Kahn
1986 Pixars first animation, 'Luxo Jr' is released
1993 Jurassic Park uses CGI for realistic living creatures
1995 Toy Story is the first feature length, completely CGI movie

Friday, October 14, 2011

RESEARCH: ORIGINS OF ANIMATION

Traditional animation dates back to 180AD, with the first zoetrope invented by the Chinese Ting Huan. Devices such as the Thaumatrope and the Phenakistoscope were early techniques to create simple moving image animations.


The first hand-drawn animation is said to be Humourous Stages of Funny Faces (1906) by J. Stuart Blackton. The first use of stop-motion animation is credited to Albert E. Smith and J. Stuart Blackton together, their short video titled The Humpty Dumpty Circus shows figures doing various acrobatics. Although I would consider the Humourous Stages of Funny Faces a stop-frame animation in itself.

Thursday, October 06, 2011

YSP: ANDREW GOLDSWORTH

Hanging Trees
Hanging Trees

YSP: OTHER



Wednesday, October 05, 2011

Monday, October 03, 2011

YSP: SOPHIE RYDER

Crawling Lady Hare: Brass

Sitting: Galvonized Wire

YSP: WINTER/HĂ–RBELT



Basket #7

YSP: JAUME PLENSA

Jerusalem

29 Psalms

In the Midst of Dreams

Spiegel (outside)

Spiegel (inside)

Thursday, September 29, 2011

YSP VISIT

Jaume Plensa
> Hear No Evil, See No Evil, Speak No Evil
> In the Midst of Dreams
> Yorkshire Soul I - III
> Alabaster Heads
> 29 Psalms
> Jerusalem
> The Heart of Trees

Barbara Hepworth
> Two Squares with Circles
> The Family of Man

Sophie Ryder
> Crawling Lady Hare
> Sitting

Greyworld
> Playground 

Anthony Caro
> Promenade

David Nash
> Seventy One Steps

Andrew Goldsworthy
> Hanging Trees

Winter/Horbelt
> Basket #7

Monday, June 27, 2011

REVIEW OF VISITS TO DEGREE SHOWS – MMU, SHU AND CHESTERFIELD COLLEGE

MANCHESTER

The Manchester Metropolitan University degree show offered a wide range of specialism; ranging from embroidery to illustration, the show covered all aspects of design. The show took place across several campuses of the university; the show is aimed at displaying the work of graduates and was a lot more corporate than what I first imagined.

Upon walking through the sculpture, painting and fine arts sections, initially some of the pieces of work left me thinking “I could do that”, but at a glance it is difficult to take into account the process, development and concept behind the piece although I am still arrogant towards this. I could replicate the final outcome but getting to it originally would be something I would struggle to do without the experience of a university level degree.
Given the list of displays, the illustration section was initially the most exciting for me. Having only seen illustrations of ‘professional’ designers, I found it enjoyable to see the standard of work that I will hopefully be achieving once I have left university.  The work was beyond impressing and more than aesthetically pleasing.
Lasting impressions were made by the physical outcomes. High quality prints, books and leaflets are what I remember the most. A series of six illustrated book covers by Jack Moss were impressing along with a pair of hand-illustrated shoes by someone who’s name I can’t recall. Overall the MMU show seemed more personal than the events at SHU and college. The amount of interactive and user based work was far higher if not unique to MMU.

Illustration with Animation is the course that runs at MMU, looking at the examples of work and sketchbooks that have been produced I’m more so inclined to look at this university as a serious option for my education.

Lighting the Sky
Illustrator Emily Welhams’ work as a whole was interesting, what at first looks like the storyboard of an animation is actually a story that she is trying to tell through a series of images. This gives her work a comic book feel with her drawings and editorials arranged in panels.

“I have focused on developing my use of the wordless narrative; I have experimented with aspects of timing, page layout and the use of digital media.”

Emily Welham





SHEFFIELD

While the Sheffield Hallam degree show felt alot more smooth in comparison to the Manchester show, the level of professionalism was also noticeably higher. From the display boards to the overall flow of the room. Sheffields display had a composition, there was a flow to the event and allowed you to move around in your own time.

The show focused more on final outcomes and portfolios and overall it was shy of working sketchbooks. Digital work was shown on tablets and laptops and it felt much more technical than the MMU show which felt more traditional. The difference between the shows is down to the difference in subject. Sheffield offered furniture, product and interior design, where it lacked in the embroidery, textiles and embroidery of MMU. Although this isn’t a disadvantage as the content was more design, where Manchester felt more art.

Distinct to the Sheffield show was the amount of branding/identity. Designers had displays of mock-up food labels for Tesco, Waitrose and Heinz. Tied in with the product design course the final outcomes were satisfying to see – designers work actually printed and put into use in a real example.

Sheffield based graphic designer Ben Powells portfolio work caught my eye at the Sheffield exhibition. His family-tree like final piece titled “I am who I am because of everyone” was interesting to look at and had a unique concept. Based around the idea of rings from a tree being age, each ring in the map is a year of Powell’s life. Colours are keyed with emotions and lines are connections and relationships. As a whole it’s easy to spend a while getting to know Powell through this inspiring diagram of his life.




















A small flick book by Sean Gee was quite amusing, the short animation showed a tiny character pulling out a sign saying “Hire me”, a unique outcome of his work. This brought my attention to Gee and I looked further into his work.







CHESTERFIELD

The degree show at Chesterfield was surprisingly more mature than what I first imagined. Impressed by the work, the level of professionalism amongst the final outcomes was higher than what I fist imagined. I really enjoyed the exhibition overall and was amazed by mostly all of the work, it was also enjoyable to see the work of people who are on the same course as me.

With the exhibit being at the same time as college taster days, the aim of the show was purely to sample peoples work, rather than sell it. The focus of the MMU and SHU shows seemed much more business related with every artist having business cards and flyers with contact information on.

The architecture work caught my eye as it is something I find aesthetically pleasing, miniature models of buildings and digitally presented worksheets are something I am familiar with. Although this work is not directly related to me and my progression, it was nice to look at. A lack of illustration and graphic design work was noticeable, with the shows emphasis being on what appeared to be art, fine art and fashion. However this did not hinder the exhibition as there was plenty of

One particular student’s work that caught my eye was Sarah Cox. Her work was entirely traditional and proved to me that using mixed media techniques such as collage and sewing can produce some quite interesting and pleasant images. Her use of ink amongst her work provokes me to want to replicate these techniques myself and has inspired me to try out more mixed media methods.

Cox’ sketchbook was impressive and the way she organised her work allowed it to just be a series of images and experiments. Artist research was tucked away in envelopes; keeping her sketchbook as a whole tidy whilst being messy at the same time.


Ben Powell – Graphic/Product Design

Emily Welham – Illustrator

Jack Moss – Illustrator

REVIEW OF VISITS TO DEGREE SHOWS – MMU, SHU AND CHESTERFIELD COLLEGE

MANCHESTER

The Manchester Metropolitan University degree show offered a wide range of specialism; ranging from embroidery to illustration, the show covered all aspects of design. The show took place across several campuses of the university; the show is aimed at displaying the work of graduates and was a lot more corporate than what I first imagined.

Upon walking through the sculpture, painting and fine arts sections, initially some of the pieces of work left me thinking “I could do that”, but at a glance it is difficult to take into account the process, development and concept behind the piece although I am still arrogant towards this. I could replicate the final outcome but getting to it originally would be something I would struggle to do without the experience of a university level degree.
Given the list of displays, the illustration section was initially the most exciting for me. Having only seen illustrations of ‘professional’ designers, I found it enjoyable to see the standard of work that I will hopefully be achieving once I have left university.  The work was beyond impressing and more than aesthetically pleasing.
Lasting impressions were made by the physical outcomes. High quality prints, books and leaflets are what I remember the most. A series of six illustrated book covers by Jack Moss were impressing along with a pair of hand-illustrated shoes by someone who’s name I can’t recall. Overall the MMU show seemed more personal than the events at SHU and college. The amount of interactive and user based work was far higher if not unique to MMU.

Illustration with Animation is the course that runs at MMU, looking at the examples of work and sketchbooks that have been produced I’m more so inclined to look at this university as a serious option for my education.

Lighting the Sky
Illustrator Emily Welhams’ work as a whole was interesting, what at first looks like the storyboard of an animation is actually a story that she is trying to tell through a series of images. This gives her work a comic book feel with her drawings and editorials arranged in panels.

“I have focused on developing my use of the wordless narrative; I have experimented with aspects of timing, page layout and the use of digital media.”

Emily Welham

 




SHEFFIELD

While the Sheffield Hallam degree show felt alot more smooth in comparison to the Manchester show, the level of professionalism was also noticeably higher. From the display boards to the overall flow of the room. Sheffields display had a composition, there was a flow to the event and allowed you to move around in your own time.

The show focused more on final outcomes and portfolios and overall it was shy of working sketchbooks. Digital work was shown on tablets and laptops and it felt much more technical than the MMU show which felt more traditional. The difference between the shows is down to the difference in subject. Sheffield offered furniture, product and interior design, where it lacked in the embroidery, textiles and embroidery of MMU. Although this isn’t a disadvantage as the content was more design, where Manchester felt more art.

Distinct to the Sheffield show was the amount of branding/identity. Designers had displays of mock-up food labels for Tesco, Waitrose and Heinz. Tied in with the product design course the final outcomes were satisfying to see – designers work actually printed and put into use in a real example.

Sheffield based graphic designer Ben Powells portfolio work caught my eye at the Sheffield exhibition. His family-tree like final piece titled “I am who I am because of everyone” was interesting to look at and had a unique concept. Based around the idea of rings from a tree being age, each ring in the map is a year of Powell’s life. Colours are keyed with emotions and lines are connections and relationships. As a whole it’s easy to spend a while getting to know Powell through this inspiring diagram of his life.
 

A small flick book by Sean Gee was quite amusing, the short animation showed a tiny character pulling out a sign saying “Hire me”, a unique outcome of his work. This brought my attention to Gee and I looked further into his work.


CHESTERFIELD

The degree show at Chesterfield was surprisingly more mature than what I first imagined. Impressed by the work, the level of professionalism amongst the final outcomes was higher than what I fist imagined. I really enjoyed the exhibition overall and was amazed by mostly all of the work, it was also enjoyable to see the work of people who are on the same course as me.

With the exhibit being at the same time as college taster days, the aim of the show was purely to sample peoples work, rather than sell it. The focus of the MMU and SHU shows seemed much more business related with every artist having business cards and flyers with contact information on.

The architecture work caught my eye as it is something I find aesthetically pleasing, miniature models of buildings and digitally presented worksheets are something I am familiar with. Although this work is not directly related to me and my progression, it was nice to look at. A lack of illustration and graphic design work was noticeable, with the shows emphasis being on what appeared to be art, fine art and fashion. However this did not hinder the exhibition as there was plenty of

One particular student’s work that caught my eye was Sarah Cox. Her work was entirely traditional and proved to me that using mixed media techniques such as collage and sewing can produce some quite interesting and pleasant images. Her use of ink amongst her work provokes me to want to replicate these techniques myself and has inspired me to try out more mixed media methods.

Cox’ sketchbook was impressive and the way she organised her work allowed it to just be a series of images and experiments. Artist research was tucked away in envelopes; keeping her sketchbook as a whole tidy whilst being messy at the same time.


Ben Powell – Graphic/Product Design

Emily Welham – Illustrator

Jack Moss – Illustrator

Thursday, April 07, 2011

FILM/TV TITLE SEQUENCES



TV
The IT Crowd
The IT Crowds' intro sequence is based around 8-bit graphics and is relevant to the IT based show, the intro features pixelated versions of the shows main characters with a range of varying background images of moving offices

Flight of the Conchords
Hustle

 
MOVIES
Superbad
Juno
James Bond
 

Tuesday, January 11, 2011

GREENWASH:

Greenwash is an increasingly popular trend amongst product advertisement. The 'green pound' is a temptation for advertisers, with the up-rise of consumer awareness and desire for organic and environmentally friendly products, advertisers know that our willingness to pay just that little bit extra for the greener product is growing.

What is greenwashing?
A combination of the green and the term 'whitewashing', green washing is defined as the deceptive use of green marketing in order to promote the concept that a companies products are environmentally friendly.

Advertisers use misleading words and suggestive pictures, or sometimes outright lies in order to fool the consumer into thinking their product has a smaller carbon footprint than their market competition. £17 million was spent on advertising using the words ‘CO2’, ‘carbon’, ‘environmental’, ‘emissions’ or ‘recycle’  from September 2006 to August 2007 alone, a similar search in 2003 revealed a mere £448k was spent.


Tuesday, December 21, 2010

LEAVON ARCHER: CONCEPT DESIGNER

Leavon Archer has worked in several aspects of the gaming industry for over 20 years, initially starting in a small team creating the James Pond game for Mega Drive consoles; Archer has switched between companies including Eurocom, Rebellion and Sony, finding himself in a cycle of concept design and character modelling throughout the years.

Over the years Leavon has worked on the design and concept teams for games such as the James Pond series, Rolo to the Rescue, Pirates of the Caribbean and Sniper. Leavon has also created original game proposals, developing the story, plot, characters and lore from scratch - only for his concept to be later declined.

Rolo to the Rescue (1992)
Having listened to first-hand experience it's clear that the industry is tough with tight limits for time and funding, often having short, specific deadlines for a concept or infact a full game. Archer develops his ideas using Maya, zBrush and Photoshop, going through several stages of design and refinement.

Leavon is an inspiration, as it's clear that you can work your way up in industry, from having a passion for comic book characters, Leavon now works freelance designing characters for all varieties of game.